| Wondrous ethereal, soft comes along the third movement, as though exhausted from the topsy-turvy scherzo. |
| The second movement is a scherzo constructed primarily of five short melodic phrases. |
| The elusive first movement is followed by a scherzo scored for wind instruments only, complemented by a slow movement for singing strings. |
| From Beethoven onwards the traditional place of the minuet in symphonies and chamber music began to be taken over by the scherzo. |
| The second movement is a thin-textured scherzo nervily syncopated in an urban context, with no hint of an agrarian landscape. |
| Formally, the Posthorn episode takes the place of the trio in the would-be scherzo of the third movement. |
