On the other hand, I tend to judge on the basis of the opening movement and the slow one, rather than of the scherzo and the choral finale. |
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In my continuing education I learned that Mendelssohn orchestrated the scherzo of his octet. |
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The second movement is a thin-textured scherzo nervily syncopated in an urban context, with no hint of an agrarian landscape. |
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From Beethoven onwards the traditional place of the minuet in symphonies and chamber music began to be taken over by the scherzo. |
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After a few builds and falls, the scherzo gives way to a gorgeous, lush melody of a kind normally associated with Rachmaninoff. |
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Wondrous ethereal, soft comes along the third movement, as though exhausted from the topsy-turvy scherzo. |
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The elusive first movement is followed by a scherzo scored for wind instruments only, complemented by a slow movement for singing strings. |
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Another scherzo arabesque contrasts with the sombre seventh canon, which in turn joins on to the alla breve variation. |
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However, with Silvestrov, the feel of the scherzo imbues the adagio so that what was once regarded as solemn is now seen as vacuous and illusory. |
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Formally, the Posthorn episode takes the place of the trio in the would-be scherzo of the third movement. |
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The second movement is a scherzo constructed primarily of five short melodic phrases. |
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The lightest and shortest of all, it stands as the scherzo in symphony, with its delicate and wistful charm. |
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Its fairylike scherzo, which incorporates part of a Scottish folk song, exemplifies the delicate moods that Mendelssohn excelled in creating. |
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This movement, a scherzo and an intermezzo, is the shortest of the concerto and is laid out like a miniature musical scene. |
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It is a lovely scherzo that could have been inspired by Mendelssohn or Berlioz. |
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Brahms did not label the second movement a scherzo, but it is one in all but name. |
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The character is more that of a scherzo or heavy-footed peasant dance, with its characteristic accents on the upbeats. |
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Juliet the Young Girl sounds like a scherzo, in short motifs and whirlwind strings, all vivacity and staccato. |
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Cheery and tuneful, the scherzo maintains the work's relaxed tone by attenuating the expected play on accent and rhythm so typical of the genre. |
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The central appearance of the scherzo, marked sempre piano, creates an echo effect. |
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He is at his best in the many lyrical sections of the piece, which include most of the outer movements as well as the wistful trio of the middle scherzo movement. |
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In the second movement, for example, it appears pretty much as itself, while in the trio of the scherzo third, Antheil transforms it into a fugal subject. |
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In these works of tragic grandeur and flamboyant Romanticism, some sparkling scherzo movements and brilliant finales bring sharp contrasts of mood. |
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The strongly rhythmic scherzo which follows features a counter-melody in the cello, flavoured in a Russian style. |
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It reveals a poignant depth of expression rarely achieved in what is essentially a scherzo type movement. |
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In the Tempo di Menuetto, Beethoven recalls the conventions of the past, eschewing the more fashionable scherzo, but seems to mock them by burdening a graceful theme with heavy accents and rhythmic ambiguity. |
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There was a steady andante moderato, perhaps a little too robust at times, followed by a brisk and bruising scherzo. |
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The structure is fairly traditional, with a slow, discursive first movement, followed by a scherzo, then a lyrical, improvisatory third movement followed by a fast and virtuosic finale. |
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The charming scherzo alternates duple and triple rhythms, while the completely contrasting trio features a certain rhythmic rigidity, achieved primarily through superposition. |
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The next movement, an impetuous scherzo in duple meter, rushes along at a breathless pace. A second, march-like theme soon makes its appearance and is developed until the recurrence of the scurrying violins. |
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As in the D minor Concerto, the contrast with D major, heard here in the raucously exuberant middle section, is a dominating feature of the scherzo. |
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Akin to Dvorak's Scherzo capriccioso in many respects, it is even more full of harmonic daring. |
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Rarely have the compositional anxieties of the Scherzo sounded more robust and urgent, or its litany of compulsive surges so compelling. |
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The second piece, marked Scherzo, intensifies the mournfulness into anguish and panic. |
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The relentless energy and fury of the Allegro non troppo recalled the Scherzo of Shostakovich's Tenth Symphony. |
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The Scherzo is not in triple time and indeed sounds more like the gavotte in Prokofiev's Classical Symphony, years before the fact. |
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The short prestissimo lasts just over two minutes and is an intriguing option instead of a full-blown Scherzo. |
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The short Scherzo is very Mendelssohnian and might, therefore, have been played with a tad more gossamer lightness. |
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The F minor has a Brahmsian intensity and characteristic polyrhythm in the Scherzo and finale. |
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The playful Scherzo, the third movement, is like a rhythmic game of tag dancing between piano and flute. |
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The Scherzo is conducted with a gracefully Mephistophelean menace, and here, the members of the Bavarian Radio Symphony Orchestra show off their agility and precision. |
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With the Scherzo we are back to bare unisons and octaves, though now assertive, but the G with which the music starts makes the key unambiguously clear as C major. |
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Sitting in stark contrast, the Scherzo follows with its bold chordal character, leading to the finale which accelerates to a presto before drawing to a close. |
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The idea of the inescapable miseries of fate is hammered home time and again in his Symphony No 4, with only the Pizzicato ostinato Scherzo thrown in for light relief. |
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