| The materialist logic of neorealism supposes that units come first, that their coaction makes a structured system. |
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| On the other hand, one can consider liberalism or liberal institutionalism as an alternative to realism and neorealism. |
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| In a sense, it was this next generation that drove neorealism into repose, making it a relic of a particular time and place. |
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| At this point, neorealism returns full circle to neoclassical abstraction and its generalizing quality. |
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| In the process, she elevated the sapless polemics of identity politics to the lush realm of neorealism. |
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| In 1975, Roberto Rossellini, the emblematic director of Italian neorealism, realized a vast historical reconstitution in Tunisia. |
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| Indeed, Roberto Rossellini and De Sica said of him that he was the father of neorealism. |
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| Attempts to read this as late neorealism were problematic too, given the writer's drooling voyeurism in rendering an endless parade of naked male flesh. |
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| She concludes with a discussion of neorealist screenwriter Cesare Zavattini's reflections on the meaning of neorealism and its legacy. |
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| The writer does not put emphasis on Anglo-American modernisms such as neoimpressionism, neocubism, neorealism etc. |
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| Around twenty painters working in the modern neorealism style have been invited to reinterpret Hungarian national romantic historical painting of the second half of the 19th century, using the tools of modern painting. |
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| In these intentions take part neorealism, imagination and the synthetic knowledge that means that we eliminate accessories to leave only those indispensable and necessary parts to enjoy the result visually and mentally. |
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| In this chapter, Gong defines neorealism and contrasts it to realism. |
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| The result of that new writing was neorealism, which favored urban settings linked to the incorporation of technical developments of mainstream European and American fiction. |
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| History of cinema from Russian cinema at its earliest phases to French New Wave, German New Cinema, Italian neorealism, down to Cuban, Chinese, Iranian cinema, etc. |
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| She sees neorealism as accomplishing a paradoxical double movement encompassing both a repression of the memory of fascism and a desire for atonement for the past. |
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