My omission of the d minor bourree of page 78 was precipitated by the fact that it is exactly the same as the one found in the ninth solo sonata. |
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Harmonically speaking, it has a certain kinship with the bourree of the ninth S-C13 solo sonata. |
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The unity of the sonata is maintained in the second minuet through the use of motifs built on thirds, motifs that are present in the bourree. |
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You're doing that tombe pas de bourree because you have a reason to get to the other side of the stage. |
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