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How to use appoggiatura in a sentence

Looking for sentences and phrases with the word appoggiatura? Here are some examples.

Sentence Examples
First inversion of the submediant triad occurs primarily as a tonic chord with resolved or unresolved appoggiatura.
For example, if the appoggiatura is written as an eighth-note, then the appoggiatura should take an eighth-note value from the main note.
You can also select the played duration of appoggiatura in 64th of quarter.
If notes are written too close together, OMeR can confuse regular notes with appoggiatura.
It's at night that you learn how to listen to your boat better, feel how it sounds, detect the slightest appoggiatura in its score.
Also, there are too many recurring tics, such as the ominous appoggiatura — C sounding over B-flat minor — with which the opera begins.
The following Adagietto was like a long, melting appoggiatura composed of smaller dying falls and languid resolutions.
At measure 24, London again has a slur well placed between two notes, but Dresden has it much too far at right this time, giving the reverse impression of an appoggiatura.
At measure 19, 2nd beat, the inferior appoggiatura is perfectly drawn in London but much too far away at left in Dresden, misleading players by giving the impression of a slur between 1stand 2nd beats.
My best fourth-grade memories involve pogo-balls and sandboxes rather than worrying about appoggiatura.
The winner, Anurag Kashyap from San Diego, California, spelled appoggiatura correctly to win the championship after 19 rounds.
Palmer quotes from Bach's treatise about the length of the appoggiatura and placement of this ornament.
During the Renaissance and early Baroque, the appoggiatura was of moderate length, averaging one-third of the main note, and was more in the nature of a melodic than a harmonic ornament.
Examples from Classical Literature
The appoggiatura is always accented, but the acciaccatura never is, the stress always falling on the melody tone.
The effect is to suspend the principal note, by taking away the time-value of the appoggiatura prefixed to it.
In modern compositions should all trills begin upon the note which is written, presuming there is no appoggiatura before the note?
The acciaccatura is written like the appoggiatura except that it has a light stroke across its stem.
I will not leave them a place for adding the least appoggiatura.
And, finally, where the appoggiatura cannot ascend, it cannot descend.
The situation is quite the same in regard to the appoggiatura.
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