Though things improve, Serkin, lyrical in the outer movements, spoils the andante with heavy accents. |
|
He didn't know what a waltz was, or what it meant to play allegro instead of andante. |
|
I glided out of the house andante in 3-4 time, nearly floating, dreamlike, toward my destination. |
|
It's more allegretto than andante, like a Brahms symphonic intermezzo. |
|
Shaped by the fastidious Harnoncourt, the central andante movement opens with a horn theme that whispers an affinity to the Largo from the New World symphony. |
|
An energetic andante segues quietly into the third and final movement. |
|
As usual, the sarabande occupies a central position in the sonata, this time being titled Aria, with a performance direction of un poco andante. |
|
One could easily imagine it as an andante from a sonata for violin and harpsichord. |
|
So he published the long andante separately and composed the attractive introduction to the rondo that exists now. |
|
Starting off with an elegant andante passage, Navas moved on to the crisp, unmannered race-car speed that he injects into his choreography so well. |
|
You know, terms like staccato, crescendo, diminuendo, fortissimo to legato mezzo piano andante? |
|
The opening allegro moved along in a total blur while the shapely andante con moto second movement also felt rushed. |
|
There was a steady andante moderato, perhaps a little too robust at times, followed by a brisk and bruising scherzo. |
|
Instead of a jaunty allegro the finale meandered in arthritically so Mozart's inspired andante cantabile interjection had to be played at a funereal pace to compensate. |
|
There was a lively, bright, surging first movement which exuded energy from start to finish while the andante con moto second movement sang out in a serene manner. |
|
Here, an introductory Andante maestoso in C minor and three-four time leads into a fluent Allegro con brio in two-four time. |
|
It began as the Andante religioso slow movement for an early String Quartet in E minor. |
|
The Andante is an arrangement for string orchestra of one of the movements of the quartet. |
|
Andante maestoso was not an overblown anticlimax but the real apotheosis of Tchaikovsky's musical argument. |
|
In the Andante the adoption of a simple ternary form allows him the freedom to grapple with his 12-note technique. |
|
|
The opening Allegro non troppo is particularly memorable whilst the Andante has some moments of true poetic beauty. |
|
In the second movement Andante, Menissier employs delectable registrations to highlight the uplifting nature of the music. |
|
There are some beautifully expressive moments in the second Andante sostenuto movement in this concerto. |
|
His darkly burnished sound in the Andante sostenuto was all warmth and violinistic molten lava. |
|
The lovely Andante sostenuto is also very well managed with a particular singing melody attributed to the strings, who play with dreamy charm. |
|
The inner movements are also very beautifully paced with great introspection to be found in the lovely Andante sostenuto. |
|
The crystalline lightness of Goode's cantabile line in the Andante poco moto recalled Schubert's songs and vocal music. |
|
The Andante was played with melting beauty, but without the slightest suggestion of heavy handedness. |
|
I have a very strong feeling in the Andante Cantabile of the players only just resisting the temptation to portamento slides between the notes. |
|
The conductor's subtly, phrased, light treatment of the first movement and the long unbroken lyrical line of the Andante quasi allegretto really made the music glow anew! |
|
Barber's boundless melodic inspiration takes inspired flight from the surging opening movement through the moving, poignant Andante and rousing bravura finale. |
|
The concerto poses a special difficulty in that its final two movements are both marked Andante, one to be played singingly, the other with pretty grace. |
|
The opening Allegro maestoso is winningly done whilst the lovely Andante semplice also contains much that is beautiful and simple at the same time. |
|