The forms of both concertos are quite free and tend towards a pattern of orchestral tuttis interspersed with cadenza-like periods of rumination. |
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The concerto is mostly lightweight with tuttis the more dramatic when they appear. |
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Such movements were characterized by the alternation and contrast between solo and tutti sections, the tuttis being based always on the same material. |
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Even so, the orchestra endowed tuttis with a positively radiant glow. |
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