| Stepan shows how the artist also draws on non-African artistic sources, including mannerist motifs by Edvard Munch. |
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| Masar represents a site of cultural convergence where Afro-Islamic populations, such as the Hausas, interact with other African and non-African populations. |
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| In the tree, the non-African populations clustered continentally, with bootstrap analysis supporting grouping of European and Amerindian populations. |
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| This is perhaps a convenient means for manipulating dramatic tension, but by excluding African realities, the writer is disserving both African and non-African readers. |
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